An Eric Prydz remix is probably as far as you could imagine Kölsch steering things towards the stadiums, though the Danish producer is nonetheless famous for his unabashed affinity with emotion, and he does a bang-up job of striking the right balance with ‘Generate’. It’s a calculated remix that hits all the right points while still keeping things authentic, its bleepy electro stabs morphing into a rich framework where Kölsch summons genuine emotion from the vocals.
The B-side of Allien’s latest ‘High’ EP sees her dropping what’s unmistakably a dirty progressive record, through and through. While ‘Lou’ deceptively fires up with a moody tech house vibe, it’s not long before it’s been transformed into an acid-drenched belter. Bigger than you’d think.
Whilst many producers have tried (and failed) to really provide a suitable platform for the Ragga Twins over the years, Double Helix has finally come along and produced something so cracked out, mutant and leftfield yardstyle as to fit their unique flow. It’s Alice tumbling down the rabbit hole of the darkest UK soundsystem music — jungle, grime, dub, two-step, hip-hop, ragga — only to be driven through a particle collider to create absolute chaos. Brilliant.
Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.